Add to ORKGIt is not very often that Shakespeare made his purpose as clear as in the case of Malvolio. Apart from the allegorical name, there are Olivia's as well as Maria's words which do not leave the slightest doubt as to the identity of the very real and, indeed, very evil spirit by which Malvolio is possessed: self-love
This paper explores how target-audience expectations and generic limitations on modern, mass-culture...
Shakespearean drama is composed mainly of the speeches of the characters and a small number of stage...
Coming to UCSD, I had the idea that a “good actor” ignores their audience, or at themaximum, engages...
It is not very often that Shakespeare made his purpose as clear as in the case of Malvolio. Apart fr...
In this paper, Malvolio is seen, however tentatively, as being related to the "Machiavellian", whose...
In this paper, Malvolio is seen, however tentatively, as being related to the "Machiavellian", whose...
This is a Response to Inge Leimberg's essay "'M.O.A.I.' Trying to Share the Joke in Twelfth Night 2....
This is a Response to Inge Leimberg's essay "'M.O.A.I.' Trying to Share the Joke in Twelfth Night 2....
This is a reply to John Russell Brown's "More about Laughing at 'M.O.A.I." It addresses the differen...
This is a reply to John Russell Brown's "More about Laughing at 'M.O.A.I." It addresses the differen...
Establishes the division of characters between Maria/Toby/Feste and Malvolio, and their respective b...
This paper’s main focus is to explain the tragic subplot in a festive comedy called Twelfth Night by...
In Shakespeare\u27s canon, Twelfth Night is considered one of his great comedies. According to forma...
If we see disguise as \u27the substitution, overlaying or metamorphosis of dramatic identity, whereb...
If we see disguise as \u27the substitution, overlaying or metamorphosis of dramatic identity, whereb...
This paper explores how target-audience expectations and generic limitations on modern, mass-culture...
Shakespearean drama is composed mainly of the speeches of the characters and a small number of stage...
Coming to UCSD, I had the idea that a “good actor” ignores their audience, or at themaximum, engages...
It is not very often that Shakespeare made his purpose as clear as in the case of Malvolio. Apart fr...
In this paper, Malvolio is seen, however tentatively, as being related to the "Machiavellian", whose...
In this paper, Malvolio is seen, however tentatively, as being related to the "Machiavellian", whose...
This is a Response to Inge Leimberg's essay "'M.O.A.I.' Trying to Share the Joke in Twelfth Night 2....
This is a Response to Inge Leimberg's essay "'M.O.A.I.' Trying to Share the Joke in Twelfth Night 2....
This is a reply to John Russell Brown's "More about Laughing at 'M.O.A.I." It addresses the differen...
This is a reply to John Russell Brown's "More about Laughing at 'M.O.A.I." It addresses the differen...
Establishes the division of characters between Maria/Toby/Feste and Malvolio, and their respective b...
This paper’s main focus is to explain the tragic subplot in a festive comedy called Twelfth Night by...
In Shakespeare\u27s canon, Twelfth Night is considered one of his great comedies. According to forma...
If we see disguise as \u27the substitution, overlaying or metamorphosis of dramatic identity, whereb...
If we see disguise as \u27the substitution, overlaying or metamorphosis of dramatic identity, whereb...
This paper explores how target-audience expectations and generic limitations on modern, mass-culture...
Shakespearean drama is composed mainly of the speeches of the characters and a small number of stage...
Coming to UCSD, I had the idea that a “good actor” ignores their audience, or at themaximum, engages...